Jacob Hall

Everyone knew that Rogue One: A Star Wars Story wasn’t going to match the opening weekend of Star Wars: The Force Awakens. That film had hype on its side, drawing off the power of a lengthy dry spell for fans and the presence of the original trilogy’s cast members. It’s unlikely that any Star Wars movie will match it ever again. With all of that said, the opening weekend of Rogue One should still be considered an enormous success, especially since these numbers would be nothing short of indisputably incredible if Star Wars wasn’t in the title.

As expected, Jason Bourne topped the box office in its opening weekend, but like so many of the sequels released this summer, the initial numbers aren’t quite what everyone was hoping for. This doesn’t mean we should count out Matt Damon’s return to his most popular character just yet, but it does add more fuel to the “audiences are getting a little picky with the sequels they will pay to see” narrative that has been forming over the past few months.

Although the holiday weekend brought out a slew of new releases to compete for the top spot at the box office, this week’s top 10 was, once again, dominated by Finding Dory. The Legend of Tarzan, The Purge: Election Year and The BFG ultimately couldn’t quite match up to Pixar’s forgetful fish, but the final results were all over the place. This chart is very much a roller coaster of expectations being met and missed.

Last year, SNL was hosted by Republican presidential nominee frontrunner Donald Trump and the response was unkind, to say the least. Back then, he still seemed like a big joke — just a loudmouth who was surely going to drop out at any moment. And now, as he wins primary after primary, the beloved sketch show has slowly turned on Trump, culminating in a faux campaign ad that lands like a punch to the gut.

When the 2016 Oscar nominations were announced nearly two weeks ago, the response to the overwhelmingly white line-up of talent proved instantly controversial. Film fans and industry veterans alike gathered around the #OscarsSoWhite hashtag to make their voices heard, especially decrying how films starring black actors and directed by black filmmakers — like Creed and Straight Outta Compton — somehow managed to only receive nominations for the white people involved in making them. With material this ripe, of course SNL was going to take a swipe at the Academy Awards this week.

The success of Hotel Transylvania 2 proved that family-friendly horror-themed movies stand to make a whole bunch of cash when released in the vicinity of Halloween. Now, Goosebumps is here to ensure that we’ll be getting slightly scary kids’ movies every October for the foreseeable future. The adaptation of the popular book series opened at number one, riding a wave of nostalgia and family appeal to a very strong start, beating out some pretty serious competition.

After a slow start, September 2015 is shaping up to be a pretty solid month for the box office. After last week’s solid numbers, Maze Runner: The Scorch Trials and Black Mass picked up the baton and ran with it, leading another strong weekend.

Summer is officially over, September is here, and the movies stink. While the big releases and heavy-hitters of the fall movie season make the festival rounds or rev up their marketing campaigns, audiences have to tough it out and wade through a lot of not-so-good movies. Welcome to September. It’s like this every year. Get ready for an excruciating month at the movies and at the box office.

All summer movie seasons end with a whimper and 2015 was no different. The final weekend of August was a pretty sad display across the board, with Straight Outta Compton nabbing the number one spot by default while just about every new release faltered. You know it’s a slow weekend when a movie promoted exclusively to faith-based audiences nabs the number two spot.

Ride Along was one of the surprise hits of 2014, making a massive pile of cash in the traditionally slow month of January. A sequel was inevitable. Like clockwork, Ride Along 2 is set to arrive almost exactly two years to the day after the first film. Which means the second outing of Ice Cube and Kevin Hart’s mismatched buddy cops was written, shot, edited and will be released in the space of 728 days.