When director Bill Condon confirmed that his live-action Beauty and the Beast remake features a gay character, it was only a matter of time before someone made a fuss over it. Turns out, that someone is a somewhere — a drive-in theater in Alabama, where the owner is refusing to screen the new Disney film because Josh Gad’s character, LeFou, is gay.
Steve Harvey has been making headlines for all the wrong reasons lately. In addition to meeting with president-elect Donald Trump, Harvey kicked up some controversy with a recent segment on his talk show, in which he made racist comments about the Asian community. Not long after, author and chef Eddie Huang responded with a poignant, thoughtful essay in the New York Times, which in turn inspired Harvey to do what most celebrities do when they receive backlash for their ignorant actions: Deliver a half-hearted apology in the hopes that all will be forgiven and forgotten.
If you’ve ever wondered what a Tim Burton movie starring Will Smith would look like, you might find out relatively soon. The actor is reportedly circling a role in Disney’s live-action remake of Dumbo, which Burton has been attached to direct for some time now. After delivering the disappointing one-two punch of Suicide Squad and Collateral Beauty, Smith sure could use a win, and joining Disney’s growing empire of live-action remakes seems like a pretty safe bet.
Not long ago, we published a list of suggestions for how Warner Bros. could fix some of the issues with the DC Extended Universe. To date, the studio has delivered three superhero blockbusters — all of which were massively budgeted and hugely successful at the box office, sure, but they could have performed even better had they been genuinely good films. Although recent comments from WB execs and Ben Affleck imply that the studio has learned a few lessons from its mistakes, new comments from a top DC movies producer prove otherwise.
Between the trailers, teasers and TV spots for Rogue One: A Star Wars Story, we found more than enough scenes (18, to be exact) that didn’t appear in the film when it hit theaters last weekend — clearly due to all those highly-publicized reshoots in post-production. Weirdly enough, Lucasfilm has released a new Rogue One featurette that reveals even more scenes that didn’t make the final cut, including what appears to be an entire sequence filmed in Jordan.
Even without her lasso and gauntlets and sword, Wonder Woman is still plenty powerful — but those things sure do help, and they look cool as hell. Like, really cool. Functionally speaking, Diana’s accessories have always been pretty awesome, but some of them (lookin’ at you, lasso) have occasionally come off as a bit corny. As we’ve seen in the trailers, Gal Gadot and director Patty Jenkins have ensured that there’s nothing silly about them, but when it comes to that sword, there’s no debate: It rules. And it’s the centerpiece in a newly released photo from the upcoming Wonder Woman solo film.
When it was first announced, The Emoji Movie sounded like a joke — the inevitable apex of big budget studio movies based on products least likely to inspire a feature-length narrative. But Sony Pictures Animation has followed through on its threat to unleash an animated adventure featuring a walking and talking poop emoji, and we have the first teaser trailer to prove it.
A couple of weeks back, someone asked Lucasfilm’s Kathleen Kennedy about a possible Rogue One sequel — a silly question given the film’s position in the Star Wars timeline, but not an entirely absurd one in this age of blockbuster franchises. The answer is, of course, no; there won’t be a Rogue One sequel because there already is a Rogue One sequel (it’s called A New Hope; maybe you’ve heard of it), and yet, Felicity Jones has the option to appear in a spinoff follow-up in her contract. Confusing? Not so much. Spoilers ahead!
James Gunn has some really good ideas, but his latest might just be the best yet. While answering a fan’s question on Twitter, the Guardians of the Galaxy director suggested that there’s one character from the films who deserves their own solo spinoff movie — and no, it’s not Baby Groot (although Baby Groot’s Outer Space Adventures sounds like a pretty dope Pixar short, to be honest).
Hollywood’s troubling pay gap problem doesn’t only apply to gender; it also applies to people of color. And when you’re both a woman and a person of color, that salary discrepancy can be twice as offensive. Just ask Empire star Taraji P. Henson, who detailed her egregious experiences with Hollywood’s pay gap in her new memoir, which reveals that she was paid about two percent of what Brad Pitt made on The Curious Case of Benjamin Button — and that’s just the start.
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